Music is a powerful thing. I study that power; how it manifests, and how it is used.
In my first book, I explored the sound of an all-powerful nation, the United States, during the Cold War. I continue to explore the ways that nation uses music to bolster its power and musicians’ reactions to that power.
In tandem, I examine attempts to marshal music’s power in a very different, frequently traumatic Cold War context: civil war El Salvador.